
DESCRIZIONE / details
The setting of “The King’s speech” is a surreal London, between the Twenties and the Thirties. The comedy is centred on Albert, the King George V’s second son, who suffers from stammer.
After the dead of his father, the shy and insecure duke of York was not supposed to come to the throne. The first son was indeed Edward: he became king but, after a year, he abdicated because of his love for Wallis Simpson. So Bertie, that is, Albert Frederick Arthur George Windsor, got the crown and became king, with the name of George VI.
An atypical man, so loved by the people, who really loved her wife, the volitive Elisabeth Bowes-Lyon. His burden was made of the pressures in his childhood, and a need for love – his royal parents were quite cold. His insecurity used to show off through a disabling stammer, impossible to manage during the many and embarrassing public speeches he had to perform. Moreover, George VI had to represent the British people in a difficult moment – on the eve of Second World War.
So how could he be the voice, or the guide, of the people? His wife took him to Lionel Logue, an Australian non-conformist speech therapist, a failed actor able to explore and medicate souls. He taught the Duke of York to overcome the nightmare of public speech. The Logue’s cure, based on theatrical laboratory as well as psychoanalysis, allowed the prospective king to come to the throne.
THE PROJECT
The King’s speech moves from historical facts to personal dramas, never quitting History – it is not a backcloth or a background, but a necessary presence which, in every moment of the comedy, joins the characters.
The movie, recently released, won many Academy Awards.
Born as a theatre work, The King’s speech uses a psychical-physical issue (the stammer) to represent the relationship between the colonist country and the Empire for which men are sacrificed. It shows that also the hidden anecdotes can become epic, if they are told with skill and rhythm. The merit is of David Seidler (Francis Ford Coppola’s Tucker – The man and his dream), who suffered from stammer.
PHOTOS
CAST&CREW
Cast: Luca Barbareschi, Filippo Dini, Astrid Meloni, Chiara Claudi, Roberto Mantovani, Mauro Santopietro, Ruggero Cara, Giancarlo Previati
Production: Casanova Multimedia
Produced by: Luca Barbareschi
Director: Luca Barbareschi
Executive producer: Daniela Piccolo
Production manager: Giancarlo Mastroianni
Cinematography: Iuraj Saleri
Music: Marco Zurzolo
Production design: Massimiliano Nocente
Costume design: Andrea Viotti
ANNO / YEAR:
2012Recently in DESCRIZIONE /
- 2015 – SEARCHING FOR SIGNS OF LOVE IN THE UNIVERSE
- 2015 – THE MYSTERIES OF LAURA
- 2015 – PIETRO MENNEA
- 2014 – ANGELS, A LOVE STORY
- 2013 – THE MERCURY FACTOR (SOMETHING GOOD)
- 2013 – ADRIANO OLIVETTI – THE STRENGTH OF A DREAM
- 2012 – THE KING’S SPEECH
- 2012 – HIDDEN OLYMPICS
- 2012 – NERO WOLFE
- 2012 – THE DREAM OF A MARATHON RUNNER
- 2012 – WALTER CHIARI
- 2012 – ALL THE MUSIC OF THE HEART
- 2012 – ZODIAC – THE LOST BOOK
- 2012 – ROMAN POLANSKI: A FILM MEMOIR
- 2012 – BENGAL TIGER AT THE BAGHDAD ZOO
- 2011 – EDDA CIANO AND THE COMMUNIST
- 2010 – THE QUEENS OF SWING
- 2010 – BARBARESCHI SCIOCK
- 2009 – THE FORGOTTER
- 2009 – THE CASE OF ALEXANDER AND MARIA
- 2009 – THE PICCOLO THEATRE
- 2008 – ZODIAC
- 2008 – THE SUNDAY CHILD
- 2008 – SOMEONE TO RUN WITH
- 2007 – FOG AND CRIMES 2
- 2006 – SATURDAY NIGHT… EASY GOING ITALIAN
- 2006 – LIVING LIKE A LION 2
- 2006 – THE PRINCE OF SALINA’S DREAM: THE LAST LEOPARD
- 2006 – THE TIGER’S CLAW
- 2005 – SCOPPIO D’AMORE E GUERRA
- 2003 – FOG AND CRIMES 3
- 2005 – FOG AND CRIMES
- 2003 – LIFE AS A GIFT
- 2002 – BOSTON MARRIAGE
- 2002 – THE CHAMELEON
- 2002 – LIVING LIKE A LION
- 2001 – JAIL
- 2000 – POPCORN
- 2000 – HARRY AND ME
- 1999 – AMADEUS
- 1998 – SKYLIGHT
- 1997 – ARDENA
- 1995 – POUNDING NAILS IN THE FLOOR WITH MY FOREHEAD
- 1993 – OLEANNA
- 1992 – THE DELEGATION
- 1992 – HIDDEN LENS
- 1991 – THE ARAB FRIEND
- 1983 – SUMMERTIME